Michael E. Sinatra, « From Dante to the Romantics : The Reception History of Leigh Hunt’s « The Story of Rimini » », The Charles Lamb Bulletin, 2001, p. 120‑143.

1816 was arguably the most significant year in Leigh Hunt's career as a Romantic poet. After a two-year imprisonment, he had spent much of 1815 going back to the theatre and seeing Edmund Kean, the actor whom Hazlitt had praised so highly in the pages of The Examiner. [...]