Michael Nardone, « Skirmish at the Oasis: On Sonic Disobedience », Leonardo Music Journal, vol. 26, 2016, p. 93‑96.

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In this article the author theorizes how the idea of a sonic avant-garde resounds today. Focused on technics of noise and site specificity, the author describes the sounds and sites of the Idle No More round dance interventions of the winter of 2012–2013 and hears these protests via the dissonant transmission of the sonic practices and geographical-racial theories of the historical avant-garde.

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