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Michael E. Sinatra, « The Flying Mariner? Richard Wagner’s « The Flying Dutchman » as the Concluding Part to Coleridge’s “The Rime of the Ancient Mariner” », The Coleridge Bulletin, 2000, p. 102‑108.

Michael E. Sinatra, « Tom Paulin and David Chandler, eds. William Hazlitt’s The Fight and Other Writings. London: Penguin, 2000. ISBN: 1-357910-864-2. Price: £9.99. », Romanticism on the Net, 2000, p. 0‑0.

Michael E. Sinatra, « Gender, Authorship and Male Domination : Mary Shelley’s Limited Freedom in « Frankenstein » and « The Last Man » », in Michael E. Sinatra, (éd.). Mary Shelley’s Fictions: From Frankenstein to Falkner, éd. Michael E. Sinatra, New York, Palgrave Macmillan, 2000, p. 95‑108.

Ever since Ellen Moer's « Literary Women » (1976), « Frankenstein » has been recognized as a novel in which issues about authorship are intimately bound up with those of gender. The work has frequently been related to the circumstance of Shelley's combining the biological role of mother with the social role of author. [...]

Mary Shelley’s fictions : from Frankenstein to Falkner, éd. Michael E. Sinatra, Basingstoke, Macmillan Press ; New York, 2000, 250 p.

John Perry Barlow, « Déclaration d’indépendance du cyberespace », in Libres enfants du savoir numérique, Editions de l’Éclat, 2000, p. 47‑54.