Élisabeth Routhier holds a Ph.D. in Comparative Literature from the University of Montréal. Her research lies at the confluence of literature, cinema and media studies, thus informing an intermedial stance through which she addresses different modalities of remediation. Following her dissertation on the relation between disappearance and remediation in the work of Georges Perec, Patrick Modiano and Christopher Nolan, she intends to undertake postdoctoral studies oriented towards the “mobilography” of GoPro cameras. As a member of the Canada Research Chair on Digital Textualities, Élisabeth Routhier’s publications reflect on the influence of digital culture on practices of reading and modalities of academic research. She is also a member of the Lab-Doc (Laboratoire de recherche sur les pratiques audiovisuelles documentaires) and a researcher within the international research project “Deceptive Arts: Machines, Magic, Media.”