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"title": "Publication of the collective work <i>Les éditions critiques numériques. Entre tradition et changement de paradigme</i> coedited by Robert Alessi and Marcello Vitali-Rosati",
"content_html": "<p>Since the 19th century, the great collections of printed critical editions have determined the standards of quality that they naturally follow today. It is therefore necessary to understand contemporary digital publishing in the continuity of this tradition. This book offers both a reflection on the definition of standards in digital editions and an analysis of the methods and languages to be implemented and learned in order to achieve them.</p>\r\n<p>Book available in French only</p>",
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"title": "<i>Uno sguardo digitale sull'Antologia greca : piattaforme, metodi e strumenti dell'informatica umanistica</i> Conference (The Greek Anthology through the Digital Prism: Platform, Methods and Instruments from the Digital Humanities) ",
"content_html": "<p>How to conceive the digital edition of a text like the Greek Anthology? What are the preconditions to be put in place? This paper will address the different facets of the collaborative digital edition project of the Greek Anthology conducted at the CRCEN, from the data model to the partnerships set up and the possible reuses of the data produced. Particular attention will be paid to the use and manipulation of the publishing platform.</p>",
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"description": "<h2>March 28, 2023<br>Italian conference held by Marcello Vitali-Rosati and Mathilde Verstraete at the Department of Humanities at the University of Naples - Federico II on March 28, 2023 at 10 a.m. (EST) on <a href=\"https://meet.jit.si/anthologiagra",
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"title": "#ArtsLitt Wikithon Invitation",
"content_html": "<p>\"On Sunday, March 26, 2023, during Wikipedia's International French Contribution Month, the Chair is invited to the Wikithon #ArtsLitt, an editing marathon aimed at increasing the presence of literary works from Quebec and the Canadian Francophonie on the free encyclopedia Wikipedia and on the\r\nWikidata knowledge base.</p>.\r\n<p>In the past two years, as part of the Créer du lien project, great strides\r\nhave been made to increase the discoverability of Quebec writers, including Aboriginal\r\nAboriginal and culturally diverse writers, on Wikimedia platforms. This\r\ninitiative continues and is now being extended to French-speaking Canada through the Wiki and the Literary Arts of the Canadian Francophonie project, supported by the\r\nWikimedia Alliance Fund. By participating in this Wikithon, you will be part of this movement.\"</p>",
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"description": "<h2>March 26, 2023<br>The Chair's team is invited to take part in a day-long Wikithon organised by Productions Rhizome in partnership with Littérature québécoise mobile, of which Marcello Vitali-Rosati is a collaborator.</h2>",
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"title": "From Artificial Intelligence to Intelligence Definition Models (De l'intelligence artificielle aux modèles de définition de l'intelligence) Conference",
"content_html": "<p>\"I want to propose to take artificial intelligence in the opposite direction. This notion, which is vague and refers to very heterogeneous computational approaches, is based on an opposition between human and machine that it is necessary to question. What if we used the different algorithms not to delegate to them tasks that would be typically \"human\" - comprehension, interpretation, decision making... - but to build formal models that define what we mean by 'human'? I will base my analysis on three case studies: a series of algorithms we are developing to define the concept of variation in the epigrams of the Palatine Anthology, the artificial language IEML created by Pierre Lévy, and the chatGPT chatbot that has been the talk of the town since it went online in November 2022.\"</p>",
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"description": "<h2>March 3, 2023<br>Marcello Vitali-Rosasti is invited by Université Côte d'Azur to speak, on March 3, 2023 at 6:30 p.m. (CET), at 89, route de Turin in Nice, on artificial intelligence and intelligence definition models.</h2>",
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"title": "Greek Anthology Collaborative Digital Edition: Workshops",
"content_html": "</p>Program:</p>\r\n<h3>Saturday, March 4, 2023</h3>\r\n\r\n<p>The Tools of the Digital Classicist<br>\r\n\r\n- 10 a.m. - 1 p.m. (CET)<br>\r\n- BNF, salle de groupe F (Quai François-Mauriac, Paris 75013)<br>\r\n- This first session, moderated by Mathilde Verstraete, will review the various digital tools and techniques developed in the context of classical studies. Their use in a pedagogical context will also be reviewed.</p>\r\n\r\n<p>The Greek Anthology Project: Developments and Issues<br>\r\n\r\n- 2:30 p.m. - 4:30 p.m. (CET)<br>\r\n- La Sorbonne, CELLF (1, rue Victor Cousin), salle 19-20 (Escalier I, 2e étage)<br> - This session, moderated by Marcello Vitali-Rosati, Servanne Monjour and Mathilde Verstraete, will focus on the technical developments of the project. This meeting will also be an opportunity to demonstrate the issues that come with a digital edition while broaching the topic of different levels of editing and the specificities of each one.</p>\r\n\r\n<h3>Monday, March 6, 2023</h3>\r\n\r\n<p>The Greek Anthology Between Valorisation and Visualization<br>\r\n\r\n- 10 a.m. - 12:30 p.m. (CET)<br>\r\n- La Sorbonne, CELLF (1, rue Victor Cousin), salle 19-20 (Escalier I, 2e étage)<br>\r\n- This workshop, held by Servanne Monjour, will address the theoretical and practical issues of research data valorisation, through the visualisation process notably. By using the tools developed by the KnightLab, participants will be asked to appropriate the rewriting and remediation logic of the Anthology's lore.</p>\r\n\r\n<p>eScriptorium Workshop<br>\r\n\r\n- 2 p.m. - 5 p.m. (CET)<br>\r\n- La Sorbonne, CELLF (1, rue Victor Cousin), salle 19-20 (Escalier I, 2e étage)<br>\r\n- This workshop, held by Alix Chagué (inria, Université de Montréal), invites participants to discover the eScriptorium platform and the potentialities offered by kraken to transcribe and annotate Greek manuscripts. After a theoretical introduction to the uses and challenges of HTR, participants will be asked to try their hand at the platform and to train a model adapted to the Greek Anthology corpus.</p>\r\n\r\n<h3>Tuesday, March 7, 2023</h3>\r\n\r\n<p>Collaborative editing of the Greek Anthology<br>\r\n\r\n- 10 a.m. - 4 p.m. (CET)<br>\r\n- Online<br>\r\n- This final meeting -- in the form of a datathon -- will build on the tools presented in the previous sessions. The objective will be to simultaneously and collaboratively edit the platform in order to enrich it on the one hand, and to bring out possible problems and/or technical improvements to be implemented on the other hand.<p>\r\n\r\n<h3>Contact and information</h3>\r\n\r\n<p>Participation only upon registration<br>\r\nContact: mathilde.verstraete@umontreal.ca</p>",
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"description": "<h2>March 4-7, 2023<br>As part of the partnership established in 2015 with the Liceo classico Luca de Samuele Cagnazzi, Altamura, two days of workshops will take place in Paris, held by Servanne Monjour (<a href=\"https://cellf.cnrs.fr/\">CELLF</a> Sor",
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"content_html": "<p>Gender fluidity in its refusal of the male/female binarity comes to question gender assignment and gendered social roles, in a fluid and transverse approach (Albarracin 2020; Medico 2019).</p>\r\n<p>Indeed, science fiction offers us, through numerous works, a great diversity of representations of \"other\" gender. In this paper, I will be particularly interested in the social impact of this asserted non-binarity (Butler 1990; McKee 1999), but also in the way these individuals interact, both in their love and sexual relationships with others, human, non-human, alien or other (Rogan, 2004). To do so, I will rely on the discourse constructed in science fiction works around the question that allows us to think about the possible mobilizations of language in parallel with the militant proposal (Elmiger 2017; Lescouet 2022).</p>\r\n<p>Through two examples, Space Opera by Catherynne M. Valente and the Monk and Robot books series by Becky Chambers, I will analyze two complementary positions. In Space Opera, the queer protagonist is confronted with the diversity of gender expressions of extraterrestrial species, which can pass as much by a uniqueness of gender as by combinatory infinities (which will be detailed in the intervention) in a dynamic of desire and attraction; whereas Dex, neutral protagonist of the Monk and Robot series, is confronted with a freedom of desire, rarer and more sacralized - inscribing itself in a still very majority binary society.</p>\r\n<p>While we will first study the relationship to the self in this neutrality, and the way in which the protagonists tame and assert this identity; I will continue by evoking the relationship of the other to this neutrality: how the discussions are articulated around this question and how desire can be expressed; finally, I will dive into the relationship itself and the representation of other forms of intimate communion than the traditional coitus.</p>",
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"description": "<h2>April 6, 2023<br>Emmanuelle Lescouet gives a talk, on April 6, 2023, titled \"Le futur est-il fluide ?\" (Is the Future Fluid?) at the Sex, Sexuality and Sexual Relationships in Science Fiction Conference, hosted by the Stella Incognita association",
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"title": "<i>Aeneid</i> Reading as part of the Festival Européen Latin Grec",
"content_html": "<p>Each year, the Festival Européen Latin Grec plans a public reading of a classical literary piece. For this 17<sup>th</sup> edition, the hommage is paid to the <i>Aeneid</i>.\r\n<p>The Center for Classical Studies is taking part in the event: we propose that you join us in declaiming the third canto of the Aeneid, preparing a multilingual reading, in the sense that you can read your passage in the language of your choice, with the intention of making Virgil's verses resonate as widely as possible.</p>.\r\n<p>The reading will take place on Thursday, March 23, at 11 a.m. The reading will be preceded by a lecture (9 a.m.) on the challenges of a Virgil reading given by Benjamin Victor and will be followed by a more convivial time around a snack.</p>",
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"description": "<h2>March 23, 2023<br>Mathilde Verstraete cohosts, with the Center for Classical Studies of the University of Montreal, on March 23, 2023 from 9 a.m. (EST) in the Jean-Brillant Building of the University, a public reading of Virgil's <i>Aeneid</i> as",
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"title": "Digital Humanities Showcase by the Centre de recherche interuniversitaire sur les humanités numériques (Interuniversity Research Centre on Digital Humanities)",
"content_html": "<p>Program :<br>\r\n9 a.m. : Welcome by Michael Sinatra (CRIHN director) and Darren Wershler (MILIEUX co-founder</p>\r\n<p>9:05-9:50 : Session 1</p>\r\n<p>Louis-Olivier Brassard (UdeMontréal), Antoine Fauchié (UdeMontréal) and Jean-François Vallée (Collège de Maisonneuve): \"Le Novendécaméron : une expérience d’édition littéraire numérique à l’ère de la covid-19\"</p>\r\n<p>Diane K. Jakacki (Bucknell University): \"Engaging TEI Editors in Text Encoding Through LEAF-Writer\"</p>\r\n<p>Ronny Litvack-Katzman (McGill): \"News and Novel Sensations: A Digital Dive into the Victorian Print Culture\"</p>\r\n<p>Antoine Fauchié (UdeMontréal), Giulia Ferretti (UdeMontréal), Roch Delannay (UdeMontréal) and Marcello Vitali-Rosati (UdeMontréal): \"‘Put your pen down!’: zoom sur les nouvelles fonctionnalités de l’éditeur de texte Stylo\"</p>\r\n<p>Jason Camlot (Concordia), Francisco Berrizbeitia (Concordia) et al: \"Archive of the Digital Present for Online Literary Performance in Canada (COVID-19 Pandemic Period)\"</p>\r\n<p>9:50-10:05 : Coffee Break</p>\r\n<p>10:05-10:50 : Session 2</p>\r\n<p>Julien Vallières (McGill) and Elisabeth Doyon (UQAM): \"Un modèle de données pour la sociabilité savante\"</p>\r\n<p>Valérie Angenot (UQAM) et Julien Mercier (UQAM): \"Un projet égyptologique en oculométrie au NeuroLab de l’UQAM\"</p>\r\n<p>Lisa Teichmann (McGill): \"A data model to navigate between polygons and coordinate data\"</p>\r\n<p>Lena Krause (Maison MONA): \"MONA. Découvrir et s’approprier l’art public avec une application mobile\"</p>\r\n<p>Stéphanie Bernier (UdeMontréal), Giulia Ferretti (UdeMontréal), Roch Delannay (UdeMontréal) and Marcello Vitali-Rosati (UdeMontréal): \"Alfred DesRochers : une relecture vue du ciel\"</p>\r\n<p>10:50-11:05 : Coffee Break</p>\r\n<p>11:05-11:55 : Session 3</p>\r\n<p>Deanna Fong (UdeMontréal) and Tricia Enns (Concordia): \"Relational Information in Digital Design: The Fred Wah Digital Archive\"</p>\r\n<p>Mathilde Verstraete (UdeMontréal) and Marcello Vitali-Rosati (UdeMontréal): \"Le projet d’édition numérique collaborative de l’Anthologie grecque\"</p>\r\n<p>Dario Brancato (Concordia): \"VaSto: a Digital Edition for the History of 16th-century Florence\"</p>\r\n<p>Louis-Robert Beaulieu-Guay (McGill): \"Une base de données sur la règlementation canadienne\"</p>\r\n<p>Jason Camlot (Concordia) and Francisco Berrizbeitia (Concordia): \"Smartening Metadata of Literary Audio: An Interactive AI-based Approach to Semantic Annotations for the SpokenWeb Archive\"</p>\r\n<p>Alex Custodio (Concordia): \"Social and Aesthetic protocols involved in the maintenance of Retro handhelds (with a focus on the Nintendo Game Boy line)\"</p>\r\n<p>11:55 : Closing words by Anton Boudreau Ninkov (U de Montréal)</p>",
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"title": "Keynote Speaker Conference at the Université catholique de l'Ouest - Niort Campus",
"content_html": "<h3>If It Is \"Intuitive\", It Is Dumb: In Praise of Bugs Against GAFAM Rhetoric</h3>\r\n<p>If it's intuitive it's dumb, if it's easy it's dangerous, if it's simple it's flat. However, GAFAM rhetoric consists in making us believe that the tools are neutral and that they naturally offer \"solutions\" to our problems. When it's \"intuitive\", it means that there is no reflection. It is easy, it does not require any effort. Because thinking is difficult and tiring, thinking critically is even more difficult, counterintuitive and exhausting. It is counterintuitive to be free, to be subjected is so much more relaxing...</p>",
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"description": "<h2>March 1, 2023<br>As part of the scientific partnership that the Niort Campus and the Faculty of Humanities signed with the Canada Research Chair on Digital Textualities, the Information Communication program of the Niort Campus is happy to invite",
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"slug": "sciences-de-l-imaginaire-speculative-science-colloquium",
"date_start": "2023-02-07",
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"title": "“Sciences de l'imaginaire” (Speculative Science) Colloquium",
"content_html": "<p>Literatures of the imaginary have been able to multiply in various formats and media since the 1980s (Besson, 2015). The popularization of digital technology and the ease of access to many creative tools have allowed readers, gamers, and viewers to participate in the establishment of extended universes (Wuyckens, 2016) beyond the original creations. These additions would not be possible without the intervention of communities of creators connected by common interests (Jenkins, 2006). These individuals are both confirmed artists, paid for this work, and amateurs, more or less experts in their field and in the work in which they participate. How do all these productions fit together to form a coherent universe? What tools and methods can we mobilize to understand them?</p>\r\n<p>The diversity of narrative proposals, from textual fanfiction to fan games, via videos, sound retakes, graphic works, etc., raises the question of a multimodality necessary to understand a fiction. The diversity of media mobilized by the extended universes (novels, films, series, video games, role-playing games, fan fiction, visual novels, audio series parodic or not, plays...) allows us to base our study on a vast corpus that we will be able to study quantitatively as well as qualitatively.</p>\r\n<p>The intimate interweaving of fictional metatext (Langlet 2006) and technologies (Ensslin 2014) leads to habits built on consistent dictionaries of gestures (Masure 2017, Lescouet 2022). For example, the habit of writing fanfiction (Barnabé 2014, Lata 2016) on dedicated platforms, whether blogs, Wattpad, or fanfiction.net, pushes communities to gather in distinct locations. The aim of this research is to question the formal adaptations that are made within the universes to take into account the particularities of the different media, but also to understand how these platform changes feed world building (Saint-Gelais 1999; Brean 2012) by extending it. Finally, we will question their impact on immersion: does the diversity of media and therefore of possible experiences within the same constructed universe reinforce its credibility? Or on the contrary, does this extension dissolve the focus and thus the suspension of disbelief demanded?</p>\r\n<p>For this study, we will start by exposing our example corpus, here the productions related to the Star Wars universe, in the form of an open and semantized database using OmekaS, tagged with a collaborative thesaurus (Lescouet, 2022). Then we will present the trends thanks to statistical visualizations (realized from the API of the database using Python). The account of this experience of applying documentation methodologies from the digital humanities to a contemporary corpus will allow us to address a first methodological proposal that can be transposed to other projects.</p>\r\n<p>Finally, we will draw analyses as to the links maintained between the different media and the fictional entity of the second constructed universe. Thus we will be able to mobilize the theories of the digital literary archive, deepened during our doctoral research within the Quebec Literature Mobile partnership (e.g., the digital writing repertory project in particular), but also to make them meet with the studies of the literatures of the imaginary at the heart of our current research. The mobilization of both literary and videogame notions, transmedia and multimodal, ensures us an integral understanding of our object, while maintaining its material diversity and complexity.</p>",
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"description": "<h2>June 16, 2023<br>Emmanuelle Lescouet gives a talk titled \"Les humanités numériques pour documenter les corpus de l'imaginaire\" (Digital Humanities For Documenting Speculative Fiction Corpora) at the \"<a href=\"https://icttdoc.hypotheses.org/49#mor",
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"slug": "debugue-tes-humanites-debug-your-humanities-season-3",
"date_start": "2022-12-13",
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"title": "Débugue tes humanités ! (Debug Your Humanities!) - Season 3",
"content_html": "<p>Establishing a reflection in humanities and social sciences today means understanding and manipulating digital writing tools. It is necessary to offer training in institutions of learning to train humanities researchers in digital theories and practices. These workshops will take place starting on December 6, 2022, every Tuesday from 1 p.m. to 3 p.m. (EST). Free and open to all, in person (by registering <a href=\"https://bib.umontreal.ca/formations/calendrier?cid=7690&t=g&cal=7690&q=d%C3%A9bugue\">here</a>) and online here: https://meet.jit.si/DebugHumanitesCRCEN-BLSH.</p>\r\n<h3>Season 3 - Digital Literacy</h3>\r\n<p>Session 01 - UNDERSTANDING THE COMPUTER THROUGH THE TERMINAL<br>\r\n2022-12-06<br>\r\nWhere files are on a computer. The terminal.<br></p>\r\n<p>SESSION 02 - MANAGING FILES THROUGH THE TERMINAL<br>\r\n2023-01-10<br>\r\nThe terminal. Basic and advanced commands.</p>\r\n<p>SESSION 03 - FILE FORMATS<br>\r\n2023-02-14<br>\r\nDefinitions and usages. Markdown, HTML, PDF.</p>\r\n<p>SESSION 04 - GIT<br>\r\n2023-03-28<br>\r\nDocument versioning.</p>\r\n<p>SESSION 05 - ZOTERO<br>\r\n2023-04-25<br>\r\nAdvanced uses of Zotero.</p>\r\n<p>SESSION 06 - INTRODUCTION TO THE TEXT EDITOR STYLO<br>\r\n2023-05-16<br>\r\nA text editor for the humanities.</p>\r\n<p>SESSION 07 - PRODUCING DOCUMENTS<br>\r\n2023-06-13<br>\r\nStylo, Zettlr, Pandoc. How to convert files to different formats.</p>\r\n<h3>Season 3 - Advanced</h3>\r\n<p>SESSION 01 - MARKUP LANGUAGES<br>\r\n2023-01-31<br>\r\nMarkdown, HTML and XML. Semantic markup.</p>\r\n<p>SESSION 02 - INTRODUCTION TO CSS<br>\r\n2023-03-14<br>\r\nTo style HTML documents.</p>\r\n<p>SESSION 03 - INTRODUCTION TO JAVASCRIPT<br>\r\n2023-04-11<br>\r\nTo develop interactions on the Web.<br>\r\n<p>SESSION 04 - STATIC WEBSITE GENERATOR (1/2)<br>\r\n2023-05-09<br>\r\nHow to change text documents into HTML webpages.</p>\r\n<p>SESSION 05 - STATIC WEBSITE GENERATOR (2/2)<br>\r\n2023-05-30<br>\r\nWeb site deployment with GitHub Pages.</p>\r\n<p>SESSION 06 - PAGED.JS<br>\r\n2023-06-20<br>\r\nWeb to print and converting HTML content to PDF from a browser.</p>",
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"description": "<h2>December 6, 2022 - June 20, 2023<br>Roch Delannay and Giulia Ferretti host the third season of the « Débugue tes humanités ! » (Debug Your Humanities!) workshops, designed for humanities scholars. In person and online on <a href=\"https://meet.jit",
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