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"title": "International Symposium : La route et ses bas-côté. Imaginaire des lieux autoroutiers liminaires",
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"description": "<h2>10th-11th December 2020\r\n<br />University of Montreal\r\n<br />Online Symposium: <a href=\"https://jitsi.iro.umontreal.ca/colloqueRouteLiminaire2020\">https://jitsi.iro.umontreal.ca/colloqueRouteLiminaire2020</a>\r\n<br />Symposium website: <a href=\"ht",
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"title": "Stylo text editor now available on Huma-Num",
"content_html": "<img src=\"https://f-origin.hypotheses.org/wp-content/blogs.dir/1766/files/2019/10/Capture-stylo-editeur.jpg\" />\r\n<p>The text editor <a href=\"https://ecrituresnumeriques.ca/fr/Activites/Projets/2016/1/14/Stylo\">Stylo</a>, developed by the Chair's team, is now available on the <a href=\"https://huma-num.fr/\">Huma-Num</a> platform, the largest research infrastructure in France.</p>\r\n<p>Stylo is connected to HumanID and accessible to all users with an account at Huma-Num. Its availability via HumanID is the result of a first phase of the joint work carried out by the CRCEN and TGIR Huma-Num teams and which continues today within the HN Lab. As a result of these exchanges, a Franco-Canadian agreement is currently being signed between the TGIR Huma-Num (CNRS) and the Centre de recherche interuniversitaire sur les humanités numériques (Université de Montréal).</p>\r\n<p>For further information, check the <a href=\"https://humanum.hypotheses.org/6311\">Huma-Num post</a>.</p>",
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{
"slug": "publication-of-lagir-en-condition-hyperconnectee",
"date_start": "2020-10-15",
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"id": 1330,
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"title": "Publication of L’agir en condition hyperconnectée",
"content_html": "<p>Acting in a hyperconnected condition has just been released on the new Parcours Numérique reading platform!</p>\r\n\r\n<p>The last decade has been marked by the multiplication and entanglement of connection modes and areas; with cities and smart phones, massive data collection or ambient internet connection, a large part of humanity is interconnected from (almost) everywhere. This contemporary state in which online and offline spaces hybridize is referred to here as the hyperconnected condition. From the moment this hyperconnectivity is established as a mode of existence, what can be done and what is being done? And how can we think beyond this phenomenon? This book brings together different perspectives on the study of art and images in order to better understand the (im)possibilities of this condition through a critical examination of the materialities and representations produced within it. Digital devices integrated into our daily lives, autonomous machines, bodies and looks are active. They organize, desire and exacerbate affects and politics - all actions that express the modalities of coexistence in a hyperconnected condition. https://www.parcoursnumeriques-pum.ca/11-agir/ </p>\r\n\r\n<p>Enrico Agostini Marchese publishes: \"How to do cities with words. City, space and literature in the hyper-connected era\". \r\nDisconnected from the fixed position of the desktop computer, the connection that has become hyper is not only integrated into urban space and its structures, but now takes place through the mobile devices we have with - and on - us at any time and in any place. This text examines the hyper-connected condition from the perspective of mobility, digital literature and urban space. By analyzing two literary projects on the relationship between images of the city and hyperconnection, French writer Pierre Ménard's Les lignes de désir (2016) and the Montreal collaborative work site Dérives (2010-), it prompts us to reflect on some of the changes that digital technologies bring to the city, as well as how literature can take hold of them in order to produce new spatial imaginaries. https://www.parcoursnumeriques-pum.ca/11-agir/chapitre2.html </p>\r\n",
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"description": "<h2>Parcours Numérique\r\n<br />Presses Universitaires de Montréal, 2020\r\n</h2>",
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"slug": "open-access-social-and-solidarity-economy-editorialization-the-new-faces-of-scholarly-publishing",
"date_start": "2020-10-15",
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"id": 1332,
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"title": "Open access, social and solidarity economy, editorialization: the new faces of scholarly publishing",
"content_html": "<img src=\"https://i.imgur.com/kWjLQV5.png\" />\r\n<p>In a context where the circulation of information and knowledge is now intrinsically linked to digital technology, and where questions about the ways of producing publications are emerging, what strategies are being implemented by the actors who produce and transmit scientific knowledge? What are the new faces of scholarly publishing in contact with the new modes of dissemination, the social and solidarity economy, or the commons? We will answer these questions based on various experiences: collaborative editorialization, open access dissemination, editorial transition, or publishing activities stemming from cooperative societies. Several French and Quebec initiatives will be presented, mobilizing organizational, economic and strategic approaches. French and Quebec structures, familiar with scholarly publishing issues or common will come to present their projects and exchange: Oxamyne, a cooperative based in Lyon; the Presses universitaires de Grenoble; Les ateliers [sens public], a young Quebec publishing house; Captures, a Quebec journal in the humanities and social sciences.<br/><a href=\"https://www.centrejacquescartier.com/les-entretiens/details/entretien/libre-acces-economie-sociale-et-solidaire-editorialisation-les-nouveaux-visages-de-ledition/\">More infos.</a></p>",
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"description": "<h2>Wednesday, November 4th<br/> 9-11 am (Montreal time zone)</h2>",
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"slug": "ccla-first-meeting",
"date_start": "2020-09-28",
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"id": 1336,
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"title": "CCLA first meeting : ",
"content_html": "<p>The CCLA group Matérialités comparatives : Médias, littérature et théorie / Comparative Materialities: Media, Literature, Theory proposes introductive working sessions around the issue of writing in the digital environment. These meetings will be an opportunity for discussion among the various participants. The first meeting “Questioning Inscription” will be held on October 2nd from 1pm to 2:30pm (Montreal time zone) and will be recorded (if you wish, you will be able to turn off your camera). The link of the meeting is the following: https://meet.jit.si/CCLA-MediaLiteratureTheory-FirstWorkSession \"</p>\r\n\r\n<p>- Introduction & moderate discussion : briefly present the 3 sessions + present differences between Full text/format like plain text : show what a docx doc is really<br/>\r\n- Material text/inscription & formats aren't neutral or free, how you writes matters in the product: Materiality Matters, examples of using API (ateliers, stylo export) by Antoine Fauchié and Marcello Vitali-Rosati - important to talk about text formats: full text as the lower knowledge model and then formats like docx ; <br/>\r\n- Nature of text & mediation : how literature is describe/fluidity of text in digital age/question of representation, API, transfert Revisit Representation (representation of knowledge, what constitute knowledge and what constitute sources of knowledge) by Markus Reisenleitner ;<br/>\r\n- Toolchain/publishing chain like Les Ateliers by Antoine Fauchié ;<br/>\r\ntalk about formats (semantics and graphics) : stylo export format : Formats make differents objects by Margot Mellet ; use the Markdown/Stylo tutorial: <a href=\"https://gitlab.huma-num.fr/ecrinum/manuels/tutoriel-markdown-pandoc\">https://gitlab.huma-num.fr/ecrinum/manuels/tutoriel-markdown-pandoc</a> + <a href=\"https://artorig.github.io/tutomd/\">https://artorig.github.io/tutomd/</a> ; <br/>\r\n- Pratical exemple with zotero.</p>\r\n<p>For further informations on thhis session: <a href=\"https://ccla.digitaltextualities.ca/\">https://ccla.digitaltextualities.ca/</a></p>\r\n\r\n<p><iframe src=\"https://archive.org/embed/ccla-work-session-2020-10-02\" width=\"640\" height=\"480\" frameborder=\"0\" webkitallowfullscreen=\"true\" mozallowfullscreen=\"true\" allowfullscreen></iframe></p>",
"links": null,
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"description": "<h2>2 octobre<br/>1PM-2.30PM (Montreal time zone)<br/><a href=\"https://meet.jit.si/CCLA-MediaLiteratureTheory-FirstWorkSession\">https://meet.jit.si/CCLA-MediaLiteratureTheory-FirstWorkSession</a></h2>",
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"slug": "publcation-of-marcello-vitali-rosati-s-article-towards-a-theory-of-editorialisation",
"date_start": "2020-07-31",
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"title": "Publcation of Marcello Vitali-Rosati's article Towards a Theory of Editorialisation",
"content_html": "<p>For the first issue of the online journal <em>HUmanités numériques</em>, Marcello Vitali Rosati presents an article entitled \"Towards a Theory of Editorialization\" in which he reflects on this notion, which he himself has contributed to disseminate in the academic world, as a tool for understanding the digital mutations of our society.\r\n<p>You can read the full text, in free access, here : <a href=\"https://journals.openedition.org/revuehn/371\">Towards a Theory of Editorialization</a>.</p>",
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"slug": "roundtable-for-the-2020-csdh-schn-congress-journals-in-the-digital-age",
"date_start": "2020-06-22",
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"id": 1324,
"events_id": 662,
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"title": "Roundtable for the 2020 CSDH/SCHN congress : Journals in the digital age",
"content_html": "<p>As part of the 2020 CSDH/SCHN congress, which was held virtually because of the COVID-19 related situation, the CRC organized a roundtable entitled <em>Journals in the digital age: thinking new models of publishing in the social sciences and humanities</em>.</p>\r\n<p>\r\n<iframe src=\"https://archive.org/embed/journalsinthedigitalage-2020-06-03\" width=\"640\" height=\"480\" frameborder=\"0\" webkitallowfullscreen=\"true\" mozallowfullscreen=\"true\" allowfullscreen></iframe>\r\n</p>\r\n<p>\r\nIn his short story <em>Wearable books, Michael Pidd proposes a dystopian academic world where digital publishing technologies have become a system for controlling, tracing and standardizing research and the epistemological models on which it is based. In this world Pidd imagines revolutionary academics who, in order to guarantee freedom of thought and the possibility of the existence of several research paradigms, decide to return to paper. Indeed, if at the beginning of its development, the Web seemed the promise of a space of plurality, differences and freedom of expression - let's not forget Barlow's declaration of independence of cyberspace in 2000 - today, largely due to the growing impact of GAFAM, we are witnessing a standardization of models and a concentration of power in the hands of a handful of companies. In the world of research this is manifested in a dominant language, crystallized formats, a sclerotic editorial chain, a problematic but questionable system of legitimization, and a growing importance, even in the humanities, of impact factors and quantitative methods for assessing the quality of research.\r\n</p>\r\n<p>Would it be possible to go back to the promises of the beginnings of the Web ? How can we take advantage of the multiplicity of different technologies and digital spaces to make them the basis for free, plural and collective research and dissemination of knowledge ? This panel will ask this question by focusing in particular on the publishing practices of scholarly journals in the social sciences and humanities, and by presenting the research results of the Journal 2.0 project we are conducting as part of a SSHRC partnership development funding. Trois chercheur·se·s exposent leurs pratiques d’édition scientifique et leur réflexion inhérente.</p>\r\n<p>You can download the full paper <a href=\"https://hcommons.org/deposits/item/hc:30203/\">here</a>.\r\n</p>",
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"description": "<h2>Participants: Antoine Fauchié, Jeanne Mathieu-Lessard, Markus Reisenleitner, Nicolas Sauret</h2>",
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"slug": "utc-online-teaching-by-peppe-cavallari",
"date_start": "2020-03-16",
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"id": 1320,
"events_id": 660,
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"title": "UTC online teaching by Peppe Cavallari",
"content_html": "<p>As part of the restrictive measures imposed on university education in France due to the COVID-19 epidemic, Peppe Cavallari is giving online sessions of his course <em>IC01 - History and Prospects of Cultural Industries and Digital Media</em> for the University of Compiègne.</p>\r\n<p>Here the podcast of the session of March 17, 2020: <a href=\"https://archive.org/details/utc17032020\">https://archive.org/details/utc17032020</a>.</p>\r\n<p>Here the podcast of the session of March 24, 2020: <a href=\"https://archive.org/details/troisiemecours\">https://archive.org/details/troisiemecours</a>.</p>\r\n<p>Here the podcast of the session of March 31, 2020: <a href=\"https://archive.org/details/quatriemecours\">https://archive.org/details/quatriemecours</a>.</p>\r\n<p>Here the podcast of the session of April 7, 2020: <a href=\"https://archive.org/details/cinquiemecours\">https://archive.org/details/cinquiemecours</a>.</p>\r\n<p>Here the podcast of the session of April 21, 2020: <a href=\"https://archive.org/details/sixieme-cours\">https://archive.org/details/sixieme-cours</a>.</p>\r\n<p>Here the podcast of the session of April 28, 2020: <a href=\"https://archive.org/details/septieme-cours\">https://archive.org/details/septieme-cours</a>.</p>\r\n<p>Here the podcast of the session of May 5, 2020: <a href=\"https://archive.org/details/huitieme-cours\">https://archive.org/details/huitieme-cours</a>.</p>",
"links": null,
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"description": "<h2>Université de Technologie de Compiègne<br />\r\nIC01 - Histoire et prospectives des industries culturelles et des médias numérique<br />",
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{
"slug": "doctoral-fellowship-opening-at-the-crc-on-digital-textualities",
"date_start": "2020-02-26",
"date_end": null,
"time_start": null,
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"id": 1318,
"events_id": 659,
"languages_code": "en",
"title": "Doctoral Fellowship opening at the CRC on Digital Textualities",
"content_html": "<p>As part of the collaborative digital publishing research project of the <a href=\"https://ecrituresnumeriques.ca/en/Activities/Projects/2016/1/19/Greek-Anthology\">Greek Anthology</a>, we are offering a doctoral fellowship of $25,000 per year for 4 years.</p>\r\n\r\n<p>The selected candidate will propose a doctoral research topic related to the digital edition project of the <em>Codex Palatinus 23</em>. He/she will have the following skills and interests:</p>\r\n<p>\r\nRequirements :\r\n<ul>\r\n <li>Knowledge of ancient Greek.</li>\r\n <li>Knowledge/interest in digital humanities methodologies.</li>\r\n <li>Interest in scientific publishing.</li>\r\n <li>General knowledge of French literature.</li>\r\n <li>Knowledge of French.</li>\r\n <li>Interest in the transmission and popularization of knowledge.</li>\r\n <li>A Master's degree in French Literature or Classical Studies - or a related discipline (to be completed by June 15, 2021)</li>.\r\n <li>To apply or be already accepted for a PhD in French Language Literature at the Université de Montréal under the co-direction of Marcello Vitali-Rosati (Department of French Language Literature) and Elsa Bouchard (Center for Classical Studies).\r\n</p>\r\n<p>\r\nApplications must be sent by September 7 to the following e-mail address: <a href=\"mailto:crc.ecrituresnumeriques@gmail.com\">crc.ecrituresnumeriques@gmail.com</a></p>\r\n<p>For further information, please read the <a href=\"https://owncloud.ecrituresnumeriques.ca/index.php/s/xOMMe8UxgfbhHYe\">offer description</a> (French only).</p>\r\n<p><br />\r\nElsa Bouchard<br />\r\nChristian Raschle<br />\r\nMarcello Vitali-Rosati<br />\r\n</p>\r\n\r\nTranslated with www.DeepL.com/Translator (free version)",
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"description": "<h2>Deadline for applications : 7th September 2020</h2>",
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"slug": "chair-participation-at-the-international-symposium-cartographie-du-web-litteraire-francophone",
"date_start": "2020-02-11",
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"id": 1316,
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"title": "Chair participation at the international symposium Cartographie du web littéraire francophone",
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"description": "<h2>University Lyon 3 Jean Moulin\r\n<br />22nd-24th January 2020\r\n<br />Lyon, France</h2>",
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"title": "Workshop in writing tools for social sciences and humanities",
"content_html": "<img src=\"http://vitalirosati.net/slides/img/wt2.png\" />\r\n<p>The CRC on Digital Textualities, in collaboration with the BLSH team, is delivering two workshops on writing tools for the social sciences and humanities.</p>\r\n<h3>Workshop 1: Writing a text and a bibliography using Markdown and Stylo text editor (level 1)</h3>\r\n<p>This workshop, intended for undergraduate students in classical studies, philosophy or literature, aims to explore the basics of the Markdown language, the Stylo text editor and the free software Pandoc. At the end of the workshop, the student will be able to produce a written work and a bibliography using these tools. A basic knowledge of the bibliographic software Zotero is desirable (see the following video clip before the workshop: <a href=\"https://youtu.be/h08PcxjmNtI\">https://youtu.be/h08PcxjmNtI</a>).</p>\r\n<p><b>Tutors</b>: Marcello Vitali-Rosati, Christian Raschle, and Nino Gabrielli</p>\r\n<p><b>Date and time</b>: February 28, 2020, from 8:30 a.m. to 1:00 p.m.</p>\r\n<p><b>Location</b>: Local 2074</p>\r\n<p><a href=\"https://bib.umontreal.ca/formations/inscription?no=8308\">Registration</a>.</p>\r\n<h3>Workshop 2: Digital Tools in Research and Writing: A Workshop for Graduate Students</h3>\r\n<p>The Canada Research Chair in Digital Textualities and the Social Sciences and Humanities Library offer graduate students a workshop on digital tools in research and writing. This day will provide an opportunity to become familiar with digital tools and good practices in grading, writing and bibliographic management. At the same time, it will highlight the need to organize information semantically in the digital environments of knowledge creation and dissemination. Tools/languages/formats addressed: zotero, markdown, html, xml, teX, pen, pandoc.</p>\r\n<p><b>Tutors</b>: P. Martinolli, N. Sauret, and M. Vitali-Rosati</p>\r\n<p><b>Date and time</b>: Tuesday, March 10, 2020, 9:00 a.m. to 4:30 p.m.</p>\r\n<p><b>Location</b>: Local 3091</p>\r\n<p><b>Bring your own laptop.</b></p>\r\n<p><a href=\"https://bib.umontreal.ca/formations/inscription?no=8258\">Registration</a>.</p>",
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"description": "<h2>Bibliothèque des lettres et sciences humaines - UdeM\r\n<br />Samuel Bronfman Pavilion; 3000 Jean-Brillant Avenue\r\n<br />Friday, February 28th and Tuesday, March 10th.</h2>",
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