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"content_html": "<img src=\"https://wpchaire.ecrituresnumeriques.ca/wp-content/uploads/2018/11/AfficheSeminaireEdito18-19.png\"/>\r\n<p>The <em>Écritures numériques et éditorialisation</em> Seminar resumes its annual cycle on the theme <strong> \"Architectures and Knowledge\"</strong>.</p>\r\n<p>We live in a digital space: the places we inhabit are structured by the hybridization of relationships between connected objects and unconnected objects and it is no longer possible to separate the digital environment from the rest of our living spaces. The digital writings - the set of inscriptions that constitute the digital environments, whether texts, images, databases, algorithms ... - have somehow an architectural function. The editorialization is the set of dynamics that structure and organize these writings, it thus proceeds from an architectural gesture.</p>\r\n<p>Based on these hypotheses - which are the results of the seminar's work in recent years - we want to examine the nature of architectures in the digital age. What spaces do we inhabit? How can we interpret them? What theories of architecture could help us better understand these spaces?</p>\r\n<p>An architectural analysis of contemporary spaces must take into account both the organization of unconnected and connected objects and must therefore be concerned at the same time with organizations of pre-digital architectural elements - walls, windows, doors, roads, gardens - and digital: protocols, formats, platforms. How do the digital protocols - from TCP / IP to HTTP, to the protocols of instant messaging applications or Wikis - participate in the organization and layout of the world we inhabit? What values and visions of the world do they bear?</p>\r\n<p>To raise these themes, we would like to invite both experts in the digital domain, but also specialists in other forms of architecture, from architecture to engineering…</p>\r\n<h3>Calendar :</h3>\r\n<p>\r\n<ul>\r\n<li><b>15th November 2018</b> – session #1 : <a href=\"https://www.youtube.com/watch?v=H4CLxGNrEh8\">« Savoirs architecturaux et espaces numériques »</a> – with Emmanuel Château-Dutier — session organized by Nicolas Sauret and Marcello Vitali-Rosati, University of Montreal.</li>\r\n<li><b>13th December 2018</b> – session #2 : <a href=\"https://www.youtube.com/watch?v=gQc5yNVK7js\">« Services informationnels et élaboration du règlement. Pour la conception des Plans Localisés de Quartier dans le canton de Genève »</a> — with Antoine Burret — session organized by Sylvia Fredriksson, La Myne.</li>\r\n<li><b>17th January 2019</b> – session #3 : <a href=\"https://www.youtube.com/watch?v=rMaUXVhHY8k\">« Réseaux scientifiques et de connaissances : traduire les données en images »</a> — with Dario Rodighiero — session organized by Marta Severo and Evelyne Broudoux, Dicen-IDF (CNAM).</li>\r\n<li><b>12th March 2019</b> — session #4 : <a href=\"https://www.youtube.com/watch?v=SW73BVOZYFE&t=51s\">« Architecture, entre fonction structurale et perception »</a> — with Paolo Francesco di Teodoro — session organized by Nicolas Sauret and Marcello Vitali-Rosati, University of Montreal.</li>\r\n<li><b>21st March 2019</b> — session #5 : <a href=\"https://archive.org/details/Seminaireedito2019-5eseance-Nathalie-Casemajor\">« Publics algorithmiques et pratiques culturelles connectées »</a> — with Nathalie Casemajor — session organized by Michael Nardone, Universityof Montreal</li>\r\n<li><b>28th March 2019</b> – session #6 : <a href=\"https://archive.org/details/Seminaireedito2019-septieme-seance\">« Face aux collections numériques : l’enjeu de l’éditorialisation des collections quasi-infinies dans le domaine culturel »</a> — with Benoît Epron, Haute École Spécialisée de Suisse Occidentale</li>\r\n<li><b>11th April 2019</b> – session #7 : — with Speculative Life Cluster — session organized by Servanne Monjour, McGill University</li>\r\n<li><b>15th May 2019</b> – session #8 : <a href=\"https://www.youtube.com/watch?v=m7OMtsuTtSU\">« Refaire un \"internet maison\" ? » / « Témoins de présence et constat d’activité : les décalages du temps (ir)réel »</a> — with Laurence Allard and Peppe Cavallari — session organized by Matteo Treleani and Joana Casenave, GERiiCO — Université Lille-3</li>\r\n</ul>\r\n</p>",
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"title": "Conference Marcello Vitali-Rosati and Pierre Lévy: Writing, Knowing and Doing Research in the Digital Age",
"content_html": "<p>To celebrate the Communications Doctorate Program at the University of Ottawa, this annual event brings together renowned communications researchers to share their views on current events. This year, the Communications Department will welcome Pierre Lévy, a professor at the University of Ottawa and former Canada Research Chair in Collective Intelligence and Marcello Vitali-Rosati, Associate Professor in the Department of French Language Literatures at the University of Ottawa. University of Montreal and holder of the Canada Research Chair in Digital Entries. They will discuss the changes in the digital world and the impact of these on communication research</p>\r\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/oHWfo7_Buco\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen></iframe>",
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"title": "Symposium CRIHN 2018: Thinking Digital Humanities Anew",
"content_html": "<p>During the Open Acces international week, the CRIHN will celebrate its five years with an international symposium on the subjet: \"Thinking Digital Humanities Anew » under the direction of Emmanuel Chateau-Dutier, Enrico Agostini-Marchese, Cecily Raynor, and Michael E. Sinatra. The symposium will be held at the Carrefour des Arts et des Sciences of the University of Montréal.</p>\r\n\r\n<p>Keynote speakers:</p>\r\n\r\n<p>Eric Gidal (University of Iowa, USA); Anatoliy Gruzd (Canada Research Chair in Social Media Data Stewardship, Ryerson University, Canada); Fatiha Idmhand (Université de Poitiers, France); Elika Ortega (Northeastern University, USA); Marcello Vitali-Rosati (Chaire de recherche du Canada sur les écritures numériques, Université de Montréal, Canada)</p>\r\n\r\n<p>Since 2013, the CRIHN is engaged, through several projects, in a reflection over the two principal aims that motivate this first international symposium:</p>\r\n\r\n<p>On the practices plan: take stock of existing experiences by identifying the strengths and weaknesses of tools and platforms; experiment with the use of excavation and visualization tools; integrate these tools into ongoing and developing projects;</p>\r\n<p>At the theoretical level: to understand the impact of digital technology on the process of production and circulation of knowledge; define new reading / writing models for the humanities; deploy new content validation systems and foster new relationships between researchers, scientific communities and society.</p>\r\n\r\n<p>With the change of media, publication methods, mechanisms of visibility, access to information and circulation of content, it is the whole of our relationship to knowledge that is challenged. It is now part of a circular dynamic closely associating production, circulation and validation of knowledge.</p>\r\n\r\n<p> The call for papers for the conference \"Repenser les humanités numériques / Thinking the Digital Humanities Anew\" is based on the three axes of CRIHN's scientific programming built around the fundamental question of the transformation of human sciences by the digital humanities:</p>\r\n<ul>\r\n <li>Axis 1: Production - Digital Writing and Editorialization</li>\r\n <li>Axis 2: Circulation - Digitization and recontextualization</li>\r\n <li>Axis 3: Validation - Legitimization of contents</li>\r\n</ul>\r\n<p>We are soliciting communication proposals in French or in English relating to work in progress or work completed in relation to these three areas. Topics may include the following topics:</p>\r\n<ul>\r\n <li>electronic editions;</li>\r\n <li>transformation of scholarly scientific publications;</li>\r\n <li>new forms of editorialization;</li>\r\n <li>digital museology;</li>\r\n <li>history of digital visual art and culture;</li>\r\n <li>linguistics and computer translation;</li>\r\n <li>analysis of digital social networks;</li>\r\n <li>geographic information system;</li>\r\n <li>visualization and interfaces;</li>\r\n <li>digital humanism;</li>\r\n <li>digital sociology;</li>\r\n <li>free access policy;</li>\r\n <li>pedagogy of the digital humanities;</li>\r\n <li>cyberinfrastructures;</li>\r\n <li>digital environmental studies.</li>\r\n</ul>\r\n\r\n<p>Organizing committee:</p>\r\n\r\n<p>Emmanuel Chateau-Dutier (Professor of Digital Museology at the University of Montreal); Enrico Agostini-Marchese (Ph.D. student in French Litterature at the University of Montreal); Cecily Raynor (Professor of Hispanic Studies at McGill University); Michael E. Sinatra (Professor of English Literature at the University of Montreal and Founding Director of CRIHN).</p>",
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"title": "Conference of Junia Barreto: Scenophilie: the cinema of François Ozon",
"content_html": "<img src=\"https://upload.wikimedia.org/wikipedia/commons/c/cf/Fran%C3%A7ois_Ozon_avp_2012.jpg\"/>\r\n<p>Beyond the different digital formats that hold our attention, screens are primarily images. Images that are at the center of the writing of contemporary cultures, strongly focused on the audiovisual. The filmmakers' experience is unique in addressing this issue. The cinema has developed by questioning ever more intensely the types of representation of the world and the relationships that it establishes with the spectators. At present, he is seizing technologies of the digital age as an industry, but draws on the most diverse cultural sources as it is an art modifying the writing of the world.</p>\r\n<p>Heir of the <i>Nouvelle Vague</i>, filmmaker François Ozon observes the uncertainties of our time, allowing us to reflect on the status of images to think about society. Each of her creations exalts the happiness of staging and presenting unique attitudes and lives that question our certainties. Ozon has a predilection for different scenes from the arts - literature, theater, music, cinema itself - and the idea of staging and performance. His fictions are marked by the mixing of genres and he produces a materialistic critique of digital life through a kind of artistic sampling.</p>\r\n<p>De là notre thèse considérant le mouvement de l’écriture ozonienne comme marqué par ce que nous nommons « scénophilie », c’est-à-dire, un état constant de productions de narration. Ce terme indique également que l’écran où se projette le film accueille les traces de processus divers et complexes (ce qui engagerait une intermédialité). La mise en scène, quel qu’en soit le support, devenue une dimension permanente des rapports humains, nous permet d’explorer l’hypothèse de l’existence d’une “scénographie généralisée” - la scénophilie, devenue un mode d’intervention dominant la création contemporaine et dont l’œuvre de François Ozon nous semble paradigmatique.</p>\r\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/hco_l4PjQjU\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen></iframe>",
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"description": "<h2>University of Montréal\r\n<br />Local C-8111\r\n<div class=\"dateHeure\">2pm, 4th June</div></h2>",
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"title": "CRIHN Work-in-progress series 2017-2018 - Marta Boni",
"content_html": "<img src=\"http://www.crihn.org/files/sites/33/2016/05/large_marta.boni_reasonably_small.jpg\" width=\"40%\" />\r\n<p>Marta Boni's research focuses on theoretical and methodological issues related to serial-type phenomena : tv shows, adaptation, transfiction, transmedia. Of these phenomena she explores the narrative complexity and its entaglement with fans' appropriation practices.</p>\r\n<p>Our fourth and last work-in-progress workshop will be dedicated to Marta Boni's project: \"<b>Télévision non-discrète: enjeux et méthodes d’analyse des séries télé a l’ère du numérique</b>\".</p>\r\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/E_gEWqMlzak\" ></iframe>",
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"description": "<h2>University of Montreal\r\n<br />Local C-2059\r\n<div class=\"dateHeure\">13th April 2018, 1 pm</div></h2>",
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"id": 1280,
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"title": "CRIHN Work-in-progress series 2017-2018 - Darren Wershler",
"content_html": "<img src=\"http://www.crihn.org/files/sites/33/2015/07/darren-wershler-225x225.jpg\"/>\r\n<p>Our third workshop session will be dedicated to Darren Wershler project: « <b>Residual Media Depot : Between Media Archaeology and Cultural Technique</b> ».</p>\r\n<p>Darren Wershler is the holder of a Concordia University Research Chair (Tier 2) in Media & Contemporary Literature. His work focuses on the relationship between avant-garde art and writing on one hand and communication studies and media history on the other. Inside the academy, he has been a professor in both English and Communication Studies departments. He has also worked professionally as a writer, editor, designer and publisher of print and new media. As a result, he takes an interdisciplinary approach to research and teaching, and is committed to the notion that universities need to search continually for ways to build connections to people, organizations and things outside of themselves.</p>\r\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/1zsTuZ38-a8\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen></iframe>",
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"description": "<h2>University of Montreal\r\n<br />Local C-8076\r\n<div class=\"dateHeure\">16th March 2018, 1 pm</div></h2>",
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"date_start": "2018-03-22",
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"title": "Marcello Vitali-Rosati presentation : authority in the digital era",
"content_html": "<p>Marcello Vitali-Rosati will participate to the symposium \"Le numérique et nous, organized by the University du Mans, with a presentation on the notion of authority, and its modifications in the digital era</p>\r\n<p>The next day, Peppe Cavallari will give a presentation on screens and digital culture, titled \"La fenêtre, la main et l’écran : notes pour une théorie de la vision numérique\"</p>\r\n<p>Look <a href=\"http://carrefoursdelapensee.univ-lemans.fr/fr/carrefours-2018/videos.html\" target=\"_blank\">here</a> for Marcello Vitali-Rosati amd Peppe Cavallari presentations.</p>",
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"date_start": "2018-02-26",
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"title": "CRIHN Work-in-progress series 2017-2018 - Stéfan Sinclair",
"content_html": "<img src=\"http://www.crihn.org/files/sites/33/2015/07/sinclair-225x225.png\">\r\n<p>Our second Work-in-progress session of the CRIHN members will be dedicated to Stéfan Sinclair's project : « DreamScape: A Peek into the Development of a New Spatial Humanities Tool ».</p>\r\n\r\n<p>Stéfan Sinclair is an Associate Professor of Digital Humanities at McGill University and Directory of the McGill Centre for Digital Humanities. His primary area of research is in the design, development, usage and theorization of tools for the digital humanities, especially for text analysis and visualization.</p>\r\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/Sjpx5birvxM\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen></iframe>",
"links": null,
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"description": "<h2>University of Montréal\r\n<br>Local C-2059\r\n<div class=\"dateHeure\">23rd February, 1pm</div></h2>",
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"title": "Tim Fulford Lecture : Picturing the Picturesque Tour; or, Making a Digital Edition of an Early 19th-century MS",
"content_html": "<p>Tim Fulford will discuss how he developed a digital edition of one of the earliest examples of what we now recognise as a tourist genre — the tour journal, sketchbook and scrapbook made by an early participant in Britain’s first organised tour. Robert Bloomfield’s <i>Banks of Wye</i> is a multi-media collection of texts, some private, some public, that tells us much about the relationship of aesthetics to the MS and print cultures, and to the nascent tourist industry, of nineteenth-century Britain. Fulford will give a virtual tour of the edition, and talk through some of the problems he solved in creating it.\r\n</p>\r\n<p>\r\nProfessor Fulford’s research lies in the area of literature in the Romantic era, in the contexts of colonialism, exploration, science, landscape, the picturesque, religion. He has published many articles and books on these topics, featuring such writers as William Wordsworth, S. T. Coleridge, Robert Bloomfield, Mary Robinson, William Cowper, Jane Austen and John Clare. Professor Fulford is currently preparing scholarly editions of the letters of Robert Southey and of Humphry Davy. His next monograph will be a study of the Late Poetry of the Lake Poets.\r\n</p>\r\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/r4KGXg8H5wM\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen></iframe>",
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"description": "<h2>Pavillon Lionel-Groulx, University of Montreal,\r\n<br>room C-8111\r\n<div class=\"dateHeure\">5th February, 11am</div></h2>",
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"content_html": "<img src=\"http://uvde.fr/wp-content/uploads/2014/12/uvde_plateau_media.png\">\r\n<p>\r\n<a href=\"http://uvde.fr\" target=_blank\"><i>Un verre derrière l’écran</i></a> is a digital culture seminar aiming to investigate, from a social and human sciences point of view, the new technologies' issues in contemporary society and culture. It is an opportunity to debate on digital-oriented theories, methods and practices. The purpose is to critically exchange and discuss on these themes in order to let the public opinion be more aware of the digital culture.\r\n</p>\r\n<p>\r\nThese meetings want themselves to be a bridge between human sciences and digital players. The meetings are free and open to everybody and they gather together academics coming form professional and media domains. Every session is live broadcasted. <i>Un verre derrière l'écran</i> is as well present on <a href=\"https://www.facebook.com/unverrederrierelecran/\" target=_blank\"><b>Facebook</b></a> and <a href=\"https://twitter.com/uvde_\" target=_blank\"><b>Twitter</b></a>.\r\n</p>",
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"title": "Marcello Vitali-Rosati and Peppe Cavallari communications in the Habitabilité des mondes cartographiques congress",
"content_html": "<img src=\"http://www.labex-arts-h2h.fr/local/cache-gd2/ae/6158418bc79aa1834280269aacf51f.jpg?1511901771\">\r\n<p>In the framework of the international conference \"Habitability of Map Worlds\", Marcello Vitali-Rosati will give the plenary conference \"Editorializing the world: cartographies, knowledge and reality\", Monday, December 11 at the National Archives, in Paris.</p>\r\n<iframe src=\"https://www.youtube.com/embed/dF2k1iiI-UA?ecver=2\" width=\"640\" height=\"360\"></iframe>\r\n<p>Peppe Cavallari will participate to the congress with the presentation \"La performativité de la cartographie numérique : les gestes d'une fiction\", Wednesday 13th December, at the University Paris-Nanterre, building Max Weber.</p>\r\n<iframe src=\"https://www.youtube.com/embed/10PUlvZG0-A?ecver=2\" width=\"640\" height=\"360\"></iframe>",
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"description": "<h2>National Archives, Paris\r\n<div class=\"dateHeure\">11th-13th December 2017</div></h2>",
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