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"content_html": "<img src=\"http://www.crihn.org/files/sites/33/2015/07/sinclair-225x225.png\">\r\n<p>Our second Work-in-progress session of the CRIHN members will be dedicated to Stéfan Sinclair's project : « DreamScape: A Peek into the Development of a New Spatial Humanities Tool ».</p>\r\n\r\n<p>Stéfan Sinclair is an Associate Professor of Digital Humanities at McGill University and Directory of the McGill Centre for Digital Humanities. His primary area of research is in the design, development, usage and theorization of tools for the digital humanities, especially for text analysis and visualization.</p>\r\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/Sjpx5birvxM\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen></iframe>",
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"content_html": "<p>Tim Fulford will discuss how he developed a digital edition of one of the earliest examples of what we now recognise as a tourist genre — the tour journal, sketchbook and scrapbook made by an early participant in Britain’s first organised tour. Robert Bloomfield’s <i>Banks of Wye</i> is a multi-media collection of texts, some private, some public, that tells us much about the relationship of aesthetics to the MS and print cultures, and to the nascent tourist industry, of nineteenth-century Britain. Fulford will give a virtual tour of the edition, and talk through some of the problems he solved in creating it.\r\n</p>\r\n<p>\r\nProfessor Fulford’s research lies in the area of literature in the Romantic era, in the contexts of colonialism, exploration, science, landscape, the picturesque, religion. He has published many articles and books on these topics, featuring such writers as William Wordsworth, S. T. Coleridge, Robert Bloomfield, Mary Robinson, William Cowper, Jane Austen and John Clare. Professor Fulford is currently preparing scholarly editions of the letters of Robert Southey and of Humphry Davy. His next monograph will be a study of the Late Poetry of the Lake Poets.\r\n</p>\r\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/r4KGXg8H5wM\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen></iframe>",
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"content_html": "<img src=\"http://uvde.fr/wp-content/uploads/2014/12/uvde_plateau_media.png\">\r\n<p>\r\n<a href=\"http://uvde.fr\" target=_blank\"><i>Un verre derrière l’écran</i></a> is a digital culture seminar aiming to investigate, from a social and human sciences point of view, the new technologies' issues in contemporary society and culture. It is an opportunity to debate on digital-oriented theories, methods and practices. The purpose is to critically exchange and discuss on these themes in order to let the public opinion be more aware of the digital culture.\r\n</p>\r\n<p>\r\nThese meetings want themselves to be a bridge between human sciences and digital players. The meetings are free and open to everybody and they gather together academics coming form professional and media domains. Every session is live broadcasted. <i>Un verre derrière l'écran</i> is as well present on <a href=\"https://www.facebook.com/unverrederrierelecran/\" target=_blank\"><b>Facebook</b></a> and <a href=\"https://twitter.com/uvde_\" target=_blank\"><b>Twitter</b></a>.\r\n</p>",
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"content_html": "<img src=\"http://www.labex-arts-h2h.fr/local/cache-gd2/ae/6158418bc79aa1834280269aacf51f.jpg?1511901771\">\r\n<p>In the framework of the international conference \"Habitability of Map Worlds\", Marcello Vitali-Rosati will give the plenary conference \"Editorializing the world: cartographies, knowledge and reality\", Monday, December 11 at the National Archives, in Paris.</p>\r\n<iframe src=\"https://www.youtube.com/embed/dF2k1iiI-UA?ecver=2\" width=\"640\" height=\"360\"></iframe>\r\n<p>Peppe Cavallari will participate to the congress with the presentation \"La performativité de la cartographie numérique : les gestes d'une fiction\", Wednesday 13th December, at the University Paris-Nanterre, building Max Weber.</p>\r\n<iframe src=\"https://www.youtube.com/embed/10PUlvZG0-A?ecver=2\" width=\"640\" height=\"360\"></iframe>",
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"content_html": "<img src=\"http://www.crihn.org/files/sites/33/2017/02/csm_Ghislain_Thibault_-_web_01_3b9198ddba.jpg\">\r\n<p>The first Work-in-progress session of the CRIHN members will be dedicated to the project of <i>Ghislain Thibault</i>: « Humanités analogiques : la mécanologie canadienne, précurseure des humanités numériques ».</p>\r\n<p>Ghislain Thibault is professor at the Communication Department of the University of Montréal, where he teaches media studies and media history. His works has been published in Configurations, VIEW, Canadian Literature, Canadian Journal of Communication et Intermédialités. With professor Mark Hayward, he leads a SSHRC funded project on history and mecanology, a French Canadian mouvement which lies aside cybernetics since 1960s and on the works of Jean Le Moyne and Gilbert Simondon.</p>\r\n",
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"content_html": "<h3>\"People, Talking : Using TEI to Analyze Information Transmission in a Biographical Corpus\"</h3>\r\n<img src=\"https://0.academia-photos.com/820458/284792/336813/s200_jason.boyd.jpg\">\r\n<p>The Text Encoding Initiative (TEI) Guidelines contain a comprehensive set of elements for constructing structured semantic prosopographical or biographical entries on individuals. The case discussed here, the Texting Wilde Project (TWP), which comprises a corpus of early (pre-1945) biographical texts relating to Oscar Wilde, adds a number of additional components to the simple factoid model of 'this thing about this person is asserted by this source.' The TWP biographical corpus, like those concerning others of the nineteenth century and earlier, includes the originating sources of much of the information that comprises the Oscar Wilde we know today (primarily, as reiterated and reinterpreted in more contemporary biographical texts).</p>\r\n<p>Jason Boyd is an Associate Professor in the Department of English at Ryerson University, and a faculty member in the Master of Digital Media and joint Ryerson- York University Communication and Culture Program. He is a Co-Director of Ryerson's Centre for Digital Humanities and an Assistant Director of the Digital Humanities Summer Institute. He has been working on developing computer- assisted methods for the study of large corpora of biographical texts in his SSHRC-funded \"Texting Wilde Project,\" which studies early biographical texts relating to Oscar Wilde.</p>\r\n<h3>Here's Jason Boyd's lecture:</h3>\r\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/Z_pNYlpfNmU\" frameborder=\"0\" allowfullscreen></iframe>",
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"description": "<h2>University of Montreal\r\n<br>Pavillon Lionel-Groulx, Room C-8111\r\n<div class=\"dateHeure\">10th novembre, 11 am</div></h2>\r\n",
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"title": "Écritures numériques et éditorialisation - 2017-2018 Seminar Series",
"content_html": "<p>The previous cycles of the seminar focused on articulating the notion of editorialization with different digital publishing practices, questioning both the production and dissemination of knowledge (archives, libraries, scholarly publishing) and journalism or the major web platforms.</p>\r\n<p>By recurrently illuminating the links between space, environment and editorialization, these sessions came to question the recent work of definition and conceptualization of editorialization. For Marcello Vitali-Rosati, \"editorialization refers to all the dynamics that produce and structure the digital space. These dynamics are the interactions of individual and collective actions with a particular digital environment\". In this definition, editorialization contributes to the structuring of the digital space and therefore to the very conditions of knowledge construction, in a way similar to what Jeffrey Schnapp conceptualized with <i>knowledge design</i>. Louise Merzeau, for her part, showed the link between editorialization and the arrangement of transitional environments, which she associates with a support environment and the transmedia environment.</p>\r\n\r\n<p>«In addition to reintroducing time sedimented in the collaborative gesture, this \"applicative stellar\" highlights the transmediatic structure of the environment in which the forms of participation are now called to practice. [...] Between media and toolbox, this \"environment-support\" (Zacklad, 2013) marks the advent of specifically digital writing-reading practices, where we see the mark of a digital culture in the process of to be constituted.\"</p>\r\n\r\n<p>By articulating it with the notions of environment, space, territory, ecosystem, we will seek to determine how editorialization can better understand this \"digital culture\".</p>\r\n<p>Our theoretical exploration will thus invest two fields of study:</p>\r\n<ul>\r\n<li>environment, ecosystem, milieu</li>\r\n<li>territory, space, architecture</li>\r\n</ul>\r\n<p>We wish to propose a formula in workshops, inviting the participants of the seminar to a proactive work of annotation collaborative around a corpus of recent texts. It will be a question of putting these texts in perspective with the theory of the editorialization and to register this one in a thought of the medium and the space \"as a possible prospect for a refoundation of the collective in the era of the networks \".</p>\r\n<p>In particular, we will focus on shedding light on the work that Louise Merzeau has left us, and thus continue the ever luminous and inspiring contribution of our colleague. Each field will be closed by a conference session.</p>\r\n\r\n<h3>Schedule</h3>\r\n<h3>Field environment, ecosystem, milieu</h3>\r\n<ul>\r\n<li>13th November 2017</b>: atelier 1. Organizers : <i>Nicolas Sauret</i> & <i>Gérard Wormser</i>\r\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/ypbv-pg4GjE\" frameborder=\"0\" allowfullscreen></iframe>\r\n</li>\r\n<li><b>4th December 2017</b>: atelier 2. Organizers : <i>Servanne Monjour</i> & <i>Matteo Treleani</i>\r\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/FCnOeWkY_Kw\" frameborder=\"0\" allowfullscreen></iframe>\r\n</li>\r\n<li><b>23rd January 2018</b>: atelier 3. Organizers : <i>Chloé Girard</i> & <i>Jérôme Valluy</i>\r\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/ZQ8rur2NT-w\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen></iframe>\r\n</li>\r\n<li><b>13th March 2018</b>: <i>Thierry Bardini</i> lecture. <b>Pour une médiologie critique : Prémisses d’une archéologie médiatique du temps réel</b>\r\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/0_ue2h1h-dc\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen></iframe>\r\n</li>\r\n</ul>\r\n\r\n<p>This contribution proposes to articulate a critical mediology around three central concepts: mode / modality / modulation, recursion, and formal cause. However, the sense of \"criticism\" mobilized here does not refer exclusively to that associated with the founding works of the Frankfurt School. In fact, it is rather a question of referring to the meaning that thermodynamics gives to this term: for this term, a critical state corresponds to a second-order phase transition, where, at the critical point, we can not distinguish the two phases of the body affected by the phase transition (Bardini 2014). The introduction of this vocabulary inherited from physics follows the intuitions of Gilbert Simondon (1958, 2005), which will be here to update.</p>\r\n\r\n<p>This consists of reassessing and completing his ontogenetic model by the light of contemporary phenomena that he certainly could not be aware of. In particular, it is necessary to ask to what extent the contemporary media ecology needs to be updated by the introduction of two distinct, but more and more miscible modes of existence, to qualify the forms of life (vital individuations). psychic and collective): analogous and numerical modes of existence. The critical state of contemporary media ecology that particularly concerns me is precisely the moment when the analogical and numerical phases or modalities of our lives mingle and merge into one reality. While we still think reality as likely to be \"virtual\" or \"augmented\" by the technological means of a panoply of computerized media, it seems to me crucial to wonder about the particular space-time and the singular interlacing presence and absence that these media devices make possible.</p>\r\n\r\n<h3>Field territory, space, architecture</h3>\r\n<ul>\r\n<li><b>10th April 2018</b> : atelier 4. Organizers : <i>Emmanuel Château-Dutier</i> & <i>Enrico Agostini Marchese</i>\r\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/e2jKzPKHNVo\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen></iframe>\r\n</li>\r\n<li>\r\n<b>15th May 2018</b> : atelier 5. Organizers : <i>Marcello Vitali-Rosati</i> & <i>Évelyne Broudoux</i>\r\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/7fOT38d0SA8\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen></iframe>\r\n</li>\r\n</ul>\r\n\r\n<p>\r\n<b>Organizers</b> : Nicolas Sauret, Marcello Vitali-Rosati, Marta Severo, Evelyne Broudoux\r\n</p>\r\n<p>\r\nThe seminar is organized jointly by the Canada Research Chair on digital textualities and the Dicen-IDF (thematic \"Editorialization, Documentarisation, Traceability\").\r\n</p>",
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"content_html": "<img src=\"https://i.ytimg.com/vi/0_VTIn9RTno/maxresdefault.jpg\">\r\n<h3>The Digital Heritage : Remote Immediate Accessibility</h3>\r\n<p>Matteo Treleani is a semiologist and communication science's lecturer at the University of Lille. After graduating at University of Bologna, he has been researcher at the at the universities of Paris Est, Paris 3 and Sciences Po. He is member of <i>Geriico</i>. He is author of <i>Qu'est-ce que le patrimoine numérique ?</i> (Le Bord de l'eau, 2017) and <a href=\"http://parcoursnumeriques-pum.ca/memoiresaudiovisuelles\" target=_\"blank\"><i>Mémoires audiovisuelles</i></a> (Montreal University Press, 2014). He was co-editor of <i>Vers un nouvel archiviste numérique</i> (L’Harmattan/Ina Editions, 2013).</p>\r\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/eFyFffXAl64\" frameborder=\"0\" allowfullscreen></iframe>",
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"description": "<h2>University of Montreal<br>\r\nPavillon Lionel-Groulx, Local C-2059\r\n<div class=\"dateHeure\">1st November 2017, 10am</div></h2>",
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"slug": "gregory-crane-lecture",
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"title": "Gregory Crane Lecture",
"content_html": "<img src=\"http://www.dh.uni-leipzig.de/wo/wp-content/uploads/2013/07/crane_211-400x250.jpg\">\r\n<h3>The Greek Anthology, Global Philology and new models of scholarly\r\nproduction</h3>\r\n<p><b>Gregory Crane</b> studied classical philology at <b>Harvard University</b>, where he obtained his Ph.D. in 1985. Shortly after obtaining it, he was the co-director and then editor-in-chief of the <i>Perseus Project</i>, a digital library project that brings together resources in classical studies, and assistant professor at Harvard. In 1992, he became an assistant professor at <b>Tufts University</b>, where he later became professor and then director of the department of classical philology. He is interested in Greek writers, and more particularly in Thucydides in two of his published works <i>The Blinded Eye: Thucydides and the New Written Word</i> and <i>Thucydides and the Ancient Simplicity. The Limits of Political Realism</i>, but also the link between the social sciences (<i>humanities</i>) and the development of technology. In 2010, he earned the <b>Google Digital Humanities Award</b> for his work in digital humanities. Since 2013, he holds a <i>Alexander von Humboldt</i> Chair at the <b>University of Leipzig</b>.\r\n</p>\r\n<iframe src=\"https://archive.org/details/Gregory-Crane-Greek-Anthology\" ></iframe>",
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"description": "<h2>University of Montreal<br>\r\n<br />Pavillon Lionel-Groulx, Local C-2059<br>\r\n<div class=\"dateHeure\">12th October 2017, 10am</div></h2>",
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{
"slug": "rendez-vous-podcast-participation",
"date_start": "2017-09-17",
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"id": 1260,
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"title": "Rendez-vous podcast participation",
"content_html": "<p><b>Peppe Cavallari</b>, PhD student in Technology and Human Sciences (UTC, Compiègne; UdeM, Montréal), was invited at <b>Anne Vidal</b> podcast <i>Rendez-vous</i> on the subject « Cultures numériques : où est le corps ? ».</p>\r\n\r\n<iframe src=\"https://archive.org/details/culture-numerique-corps\" ></iframe></iframe>",
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"description": "<h2>16th September 2017</h2>",
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}