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"content_html": "<p>Stylo is a tool designed to rethink the writing and editing process of scholarly journals in the humanities and social sciences. As a WYSIWYM (What You See Is What You Mean) semantic text editor for the humanities, it strives to improve academic publication chains.</p>\r\n<p>In order to give back to authors control over their texts, text structuration is put at the very beginning of the knowledge production process through the use of semantic tags. Unlike text processors such as Microsoft Word, Stylo strives to promote and encourage the use of standards thanks to its implementation of open protocols. Built on modular, low-tech and standardized tools and editing formats, such as Markdown, BibTeX, Pandoc, Hypothes.is and LaTeX, Stylo integrates the best Web writing and publishing practices in a single interface. Because of its integration of formats and conversion technologies already used by the humanities community, it allows the free circulation of documents that are not limited to a single format. Stylo encompasses functions such as sharing, versioning, modification tracking, bibliography managing, annotation, multiformat exportation, authority-aligned metadata (LOC, Wikidata, ORCID...) and online semantic markup.</p>",
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"content_html": "<p>Greek and Roman mythologies are an inexhaustible source of rewrites, adaptations and remediations of the founding myths of Western culture. However, many of these myths are based on the oppression of women, human groups, or members of the wider margins. Thinking about history after the (male) hero has claimed victory, from the viewpoint of the consequences and feelings of the victims, has become a necessity for understanding the implications of such myths.</p>\r\n\r\n<p>In this presentation, I wish to confront feminist, videogame, and narrative studies with literary remediations (Neal Shusterman's <i>Scythe</i> series), about graphic novels (Melchior Ascaride's <i>Eurydice déchaînée</i>) and webtoons (Rachel Smyth's <i>Lore Olympus</i>), but also videogames (Supergiant Games' <i>Hades</i>). Beyond the thematic analysis (of the narrative itself), I wish to study how the graphic layout and the framework allow to iconize the victims and to offer them an empowerment consistent with the original myths.</p>\r\n\r\n<p>After a brief presentation of the corpus, and the identification of their common points, I will present the importance of narrative time in the iconisations of each one and how narration and visibility allow a reversal of the power schemes. After discussing the pitfalls (thematic and narrative) of the protagonists' new position, I will conclude by demonstrating the continuity created with the original myths.</p>\r\n\r\n<p>The theories of reading and gesture will also allow us to understand the possible immersion in these works of the extreme contemporary, and the impact of the latter in the overthrow of the proposed patriarchal order.</p>",
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"content_html": "<p>\"Des algorithmes pour définir nos concepts littéraires. Le cas de la <i>variatio</i> dans l’Anthologie grecque\" (Algorithms to Define Literary Concepts: The Case of Variation Within the Greek Anthology)<br>Presented by Luiz Capelo, Giulia Ferretti, Timothée Guicherd, Mathilde Verstraete and Marcello Vitali-Rosati</p>\r\n<p>Workshop \"Rédaction et édition savantes avec l’éditeur de texte Stylo\" (Scholarly Writing and Editing With the Text Editor Stylo)<br>Given by Antoine Fauchié, Margot Mellet and Marcello Vitali-Rosati</p>\r\n<p>\"Littératies et systèmes éditoriaux numériques. Présentation des expérimentations menées dans le cadre du projet Revue 2.0\" (Literacies and Digital Editorial Systems: Presentation of the Experiments Conducted for the Journal 2.0 Project)<br>Presented by Antoine Fauchié, Margot Mellet, Nicolas Sauret and Marcello Vitali-Rosati</p>\r\n<p\"Le Répertoire des écritures numériques : construire une description des œuvres littéraires numériques contemporaines\" (The Digital Writings Repository: Building a Description of Digital Literary Works)<br>Presented by Emmanuelle Lescouet</p>\r\n<p>\"Les petites mains de l'édition. Réflexions pour des espaces éditoriaux numériques plus inclusifs\" (The Little Hands of Editing: Reflections Towards More Inclusive Digital Editorial Spaces)<br>Presented by Margot Mellet</p>\r\n<p>« Le Novendécaméron : une expérience d’édition littéraire numérique à l’ère de la COVID-19\" (The Novemdecameron: A Digital Literary Edition Experiment in the COVID-19 Era)<br>Presented by Louis-Olivier Brassard, Antoine Fauchié and Jean-François Vallée</p>\r\n<p>Poster \"L'intime dans le processus d'écriture savante. Observation des manifestations intimes dans l'éditeur de texte Stylo\" (Intimacy in the Scholarly Writing Process: Observation of Intimacy Manifestations in the Text Editor Stylo)<br>Presented by Roch Delannay</p>\r\n<p>Study Group \"Le <i>Howto</i> du tuto DH : session de travail sur un format alternatif du savoir\" (A Howto on DH Tutorials: Work Session On An Alternate Format of Knowledge)<br>Margot Mellet, Servanne Monjour and Nicolas Sauret</p>",
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"title": "Interview with Paul Kawczak",
"content_html": "<img src=\"https://imgur.com/CRLG5jR.jpg\" alt=\"\">\r\n<p>Participants in the project \"Le récit de voyage à l'ère numérique. Tentative d'épuisement de l'autoroute Nord-Sud (Gaspé et Miami)\" (Travel Literature in the Digital Era: Attempt at Exhausting the North-South Highway [Gaspé and Miami]) will meet with author Paul Kawczak, lecturer at the Université du Québec à Chicoutimi and editor at publishing house La Peuplade, on April 25, 2022 at 1 p.m. The discussion will surround the (de)colonial novel <i>Ténèbre</i>, published January 2020 at La Peuplade.</p>",
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"content_html": "<p>Poster \"The Stylo Workflow: Writing and Editing With the Text Editor Stylo\"<br>Presented by Antoine Fauchié and Margot Mellet</p>\r\n<p>Poster \"The Importance of Single-Source Publishing in Scientific Publishing\"<br>Presented by Antoine Fauchié</p>\r\n<p>Lightning Talk \"Experimentation of Digital Open Peer Review for Social Science Journals in the 'Revue 2.0' Project\"<br>Presented by Antoine Fauchié, Margot Mellet and Marcello Vitali-Rosati</p>\r\n<p>Lightning Talk \"Queer Writing 3.0\"<br>Presented by Emmanuelle Lescouet</p>\r\n<p>Long Talk \"Diversity of Immersion Mechanics in Videoludic Novels\"<br>Presented by Emmanuelle Lescouet and Pierre Gabriel Dumoulin",
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"title": "International colloquium \"Vivre par(mi) les écrans : passé et avenir\" (Living Through/Among Screens: Past and Future)",
"content_html": "<>It is now obvious - especially since the COVID-19 pandemic - that \"screens are not simple surfaces showing images\" (Bodini et al. 2020): they make our relationship with the world possible, they have even become our privileged way of access to the world.\r\nIn this sense, the debate on screens cannot be centered anymore on an alleged \"unreality\" of the digital world. A new question emerges: who owns these screens? Who produces and structures the interfaces\r\nwith which we inhabit the world? In my talk, I will show how a handful of companies - usually referred to by the acronym \"GAFAM\" - are monopolizing our means of being in the world by standardizing and\r\nimpoverishing them. So the problem is not that we spend our time on \"screens\", but that we spend it on \"a\" screen. Is it possible to find a plurality of ways to inhabit the world?",
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],
"feature_image": null,
"description": "<h2>April 27, 2022</h2>\r\nFrom April 27 to 29, 2022, the colloquium \"Vivre par(mi) les écrans : passé et avenir\" (Living Through/Among Screens: Past and Future), directed by Mauro Carbone and Jacopo Bodini, will take place at the University Jean Mouli",
"location": null,
"legacy_image": "https://imgur.com/H42qH5r.jpg",
"legacy_slug": "International-colloquium-Vivre-parmi-les-ecrans--passe-et-avenir-Living-ThroughAmong-Screens-Past-and-Future",
"legacy_location": null
}
]
}
